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[Bowling pins falling over]
You OK?
My head. I don't know what's wrong.
You OK?
I can't sleep.
You OK?
A pain back here?
You OK?
Like something bit you?
You OK?
Yeah. How do you know? You too?
You OK?
[Bowling ball rolling]
You OK?
[Bowling pins falling over]
You OK?
Mark?
Listen, this may sound weird but... is anyone else awake?
Mark?
Is anyone having trouble sleeping or something?
Mark, are you there?
[Indistinct voice on radio]
Mark, are you there?
Wait for me here. I'll go.
Mark, are you there?
[Low growl]
[Camera's shutter clicks]
Gloria!
[Camera's shutter clicks]
We all need to get out of here.
It's a psychic attack.
We all need to get out of here.
[Camera's shutter clicks]
We all need to get out of here.
But... They're here!
We all need to get out of here.
I tried to make it back in time.
We all need to get out of here.
It's too late. [Camera's shutter clicks]
We all need to get out of here.
[Indistinct voice on radio]
Yeah?
[Indistinct voice on radio]
[Camera's shutter clicks]
No! Come on!
Remember your family.
MAN: Remember the first time.
Remember your family.
Remember the terrorism.
Remember your family.
[Camera's shutter clicks]
[People speaking indistinctly]
[Camera's shutter clicks]
Aah!
[Camera's shutter clicks] My head hurts.
I'm turning into one of them.
[Camera's shutter clicks] My head hurts.
[Camera's shutter clicks]
My head hurts.
Stop thinking.
[Camera's shutter clicks] My head hurts.
If you stop thinking they won't be.
[Camera's shutter clicks] My head hurts.
Able to get into your mind.
[Camera's shutter clicks] My head hurts.
How am I supposed to do that?
[Camera's shutter clicks] My head hurts.
I know how.
[Camera's shutter clicks]
[Camera's shutter clicking]
[Cheering and applause]
"Dark Sky: The Third Wave"!
I know!
Wow!
All right, all right! After this exclusive preview...
Wow!
By the way, thank you for that...
Wow!
[Cheering and applause]
Wow!
Which I should mention is being seen.
Wow!
Not only by everyone here but also everybody on the Internet.
Wow!
Who's streaming the ceremony from the official web site.
Wow!
Hi, everybody! [Laughter]
Wow!
OK, but after this, let's bring an end to this schlongfest,
Wow!
Get down to business.
Wow!
Everybody give it up for Jill Goddard!
Wow!
[Cheering and applause]
Wow!
[Camera's shutter clicks]
MAN: I love you! [Laughter]
[Camera's shutter clicks]
Thank you! [Laughter]
[Camera's shutter clicks]
We meant her.
[Camera's shutter clicks]
JILL: We? What do you mean, we?
[Camera's shutter clicks]
You're the only one talking.
[Camera's shutter clicks]
I'm here with my friends.
[Camera's shutter clicks]
If they were your friends, they wouldn't let you
make such an ass out of yourself.
If they were your friends, they wouldn't let you.
[Camera's shutter clicks] [Laughter]
If they were your friends, they wouldn't let you.
[Applause] [Camera's shutter clicks]
If they were your friends, they wouldn't let you.
OK, so, as I was saying, after seeing this exclusive preview,
If they were your friends, they wouldn't let you
I feel like I have to know if a certain "character".
If they were your friends, they wouldn't let you
gets killed this time around.
If they were your friends, they wouldn't let you.
The white t-shirt, Jill.
If they were your friends, they wouldn't let you.
[Laughter]
If they were your friends, they wouldn't let you.
You're asking me if the white t-shirt I'm wearing.
If they were your friends, they wouldn't let you
in that scene survives.
If they were your friends, they wouldn't let you.
OK, I'm already a little embarrassed.
If they were your friends, they wouldn't let you.
[Laughter]
If they were your friends, they wouldn't let you.
JILL: Oh, come on, don't.
If they were your friends, they wouldn't let you.
The "Coming Soon" sign appears.
If they were your friends, they wouldn't let you
right when my shirt is about to come off.
If they were your friends, they wouldn't let you.
It's supposed to make you think about it.
If they were your friends, they wouldn't let you.
HOST: OK, I guess we're not gonna have.
If they were your friends, they wouldn't let you
an answer for that question, folks.
If they were your friends, they wouldn't let you.
[Laughter]
If they were your friends, they wouldn't let you
Jill, seriously, it is.
If they were your friends, they wouldn't let you
a huge pleasure to have you here.
If they were your friends, they wouldn't let you.
Damn!
If they were your friends, they wouldn't let you
little bit about Gloria.
If they were your friends, they wouldn't let you
I mean, in this one,
If they were your friends, they wouldn't let you
she's using her psychic powers...
[Nick whistling]
She's using her psychic powers...
JILL: Well... [speaking indistinctly]
Sorry. It started recording
before I had a chance to place the camera.
Sorry. It started recording.
Maybe I should stop and start over again.
Or you can just cut this part out.
Maybe I should stop and start over again.
This is recording, right?
Personal introduction.
Hi, there. I'm Nick Chambers and
I'm the webmaster at jillgoddardcaught.com.
Hi, there. I'm Nick Chambers and.
You know, pictures of Jill, scans, videos, articles.
Hi, there. I'm Nick Chambers and.
Some of my stuff is some of the first posted of her.
Hi, there. I'm Nick Chambers and.
But that was just lucky. I'm not a reporter.
Hi, there. I'm Nick Chambers and
I don't work for an agency.
Hi, there. I'm Nick Chambers and.
Presentation of...
I already talked about my web site.
Presentation of...
Sorry. What do I expect from...
Presentation of...
I'm really happy I won.
I know a lot of bloggers entered the contest.
I'm really happy I won.
[Beeping]
I'm really happy I won.
I've never been to Austin before. It's really nice.
Actually, I just checked in the hotel a couple hours ago.
I've never been to Austin before. It's really nice.
I still can't believe I'm going to meet Jill Goddard.
I've never been to Austin before. It's really nice.
I hope my interview with her works out.
I've never been to Austin before. It's really nice.
I don't want to spoil her dinner. Ha!
I've never been to Austin before. It's really nice.
I promise I won't be as nervous as I am right now.
I've never been to Austin before. It's really nice.
Thanks for everything.
HOST: I'm surprised, honestly.
Have you shown us too much?
HOST: I'm surprised, honestly.
OK, tell him that.
Once you see this scene in the final film,
OK, tell him that.
You'll see there's a lot more to it.
OK, tell him that.
Than meets the eye.
OK, tell him that.
Oh, shit. It's a wet dream.
I knew it. I knew it...
Oh, shit. It's a wet dream.
At the exact moment when I wake up from a dream...
Oh, shit. It's a wet dream.
It is, isn't it?
Oh, shit. It's a wet dream.
No, no, no, it's not a dream.
Oh, shit. It's a wet dream.
I assure you, it's not a dream.
Oh, shit. It's a wet dream.
I hate dreams in movies.
Oh, shit. It's a wet dream.
HOST: Hate dreams in movies? What is that?
Oh, shit. It's a wet dream.
Some thing with European directors?
Oh, shit. It's a wet dream.
MAN: Hello? Nick Chambers?
Oh, shit. It's a wet dream.
Yeah?
Oh, shit. It's a wet dream.
Are you Nick Chambers?
Oh, shit. It's a wet dream.
Are you the contest winner.
Oh, shit. It's a wet dream.
Who gets to have dinner with Jill Goddard?
Oh, shit. It's a wet dream.
That's me. I'm sorry to bother you.
Oh, shit. It's a wet dream.
My name is Simon Chord.
I work for the official Dark Sky.
My name is Simon Chord.
Web site and, um... Yeah.
My name is Simon Chord.
I'm sorry, but did you just.
My name is Simon Chord.
Try to send us a video?
My name is Simon Chord.
Yeah. Just now.
My name is Simon Chord.
I'm sorry. I clicked record.
My name is Simon Chord.
Before I had a chance to position the camera.
My name is Simon Chord.
Oh, that's OK.
My name is Simon Chord.
And I mixed two questions into one.
Ah! That's OK.
And I mixed two questions into one.
By the way, where are you right now?
And I mixed two questions into one.
I'm here, at the hotel.
And I mixed two questions into one.
But the convention is happening right now.
And I mixed two questions into one.
I know. I'm watching it.
And I mixed two questions into one.
Aren't you at your hotel?
And I mixed two questions into one.
I'm watching it on my laptop.
And I mixed two questions into one.
They're streaming it from the web site.
And I mixed two questions into one.
You mean they didn't invite you to the event?
And I mixed two questions into one.
Yeah? Nobody has contacted you?
And I mixed two questions into one.
The producers of the gala didn't call you.
And I mixed two questions into one.
To say the contest was cancelled?
And I mixed two questions into one.
What? No, I thought I.
And I mixed two questions into one.
Was supposed to wait here.
And I mixed two questions into one.
Cancelled? One second.
HOST: I think we have another question.
Yeah! Back there?
HOST: I think we have another question.
OK, so, hi, Jill.
HOST: I think we have another question.
Just wanted to say this latest part of the saga looks great.
HOST: I think we have another question.
Can't wait to see it.
HOST: I think we have another question.
So, this is your third movie with Dave.
HOST: I think we have another question.
And the first one you've made together now that.
HOST: I think we have another question.
You're officially a couple in real life.
HOST: I think we have another question.
Did it make a big difference working together this time?
HOST: I think we have another question.
Well, there was a lot less sneaking around.
HOST: I think we have another question.
[Laughter]
HOST: I think we have another question.
HOST: Uh, I've got a question for Richie.
HOST: I think we have another question.
CHORD: Nick, can you hear me?
HOST: I think we have another question.
Yeah. I'm sorry, Nick.
HOST: I think we have another question.
There's nothing I can do.
HOST: I think we have another question.
What happened?
You mean I came all the way out here for nothing?
What happened?
I don't know, Nick. Let's just sit tight.
What happened?
I left them a message.
What happened?
Man, this breaks my heart.
But this doesn't make any sense.
Man, this breaks my heart.
They just sent me an e-mail asking me.
Man, this breaks my heart.
To record a greeting for you.
Man, this breaks my heart.
What the hell is she staring at?
What? Who?
She's looking at her bag the whole time.
What, is she afraid her coke will fly out?
She's looking at her bag the whole time.
What? What are you talking about?
She's looking at her bag the whole time.
Sorry, hold on a second.
She's looking at her bag the whole time.
Last question of the night.
She's looking at her bag the whole time.
First of all, congratulations for the performance.
I'm a big fan of the saga...
First of all, congratulations for the performance.
Jill, I wanted to ask you about.
First of all, congratulations for the performance.
These recent rumors, about a leaked video.
First of all, congratulations for the performance.
I was not in any homemade porn video that got stolen.
First of all, congratulations for the performance.
That's right. I've got it here. You have to pay.
First of all, congratulations for the performance.
[Laughter]
First of all, congratulations for the performance.
Come on, Richie. The movie's good.
It's funny. You don't need to make up a story.
Come on, Richie. The movie's good.
About me appearing in a porn movie.
Come on, Richie. The movie's good.
To get people talking about it.
Come on, Richie. The movie's good.
HOST: Wait, wait, Jill.
Come on, Richie. The movie's good.
Are you saying the producers started the rumor?
CHORD: Hey, Nick.
Are you saying the producers started the rumor?
RICHIE: I made a joke with myself.
Are you saying the producers started the rumor?
[indistinct] made [indistinct]
Are you saying the producers started the rumor?
HOST: But don't worry. Don't worry.
Are you saying the producers started the rumor?
CHORD: Drag this link into the Dark Sky web site.
Are you saying the producers started the rumor?
What's this?
It's a surveillance camera in the theater.
What's this?
I can control it from here.
What's this?
I can zoom it.
What's this?
I can move it.
Her cell phone.
The model is perfect.
Her cell phone.
What for?
Her cell phone.
Can't you take a photo?
We have the best view in the house.
Can't you take a photo?
What are you talking about?
You know exactly what I'm talking about.
What are you talking about?
I've seen better cleavage,
What are you talking about?
But it'll look great on your web site.
What are you talking about?
She's never shown her tits before.
What are you talking about?
For us, that's the final frontier.
What are you talking about?
Where are you calling from?
What are you talking about?
Where are you doing all this?
What are you talking about?
Hold on. Hold on.
What are you talking about?
There, all set. Click on there.
HOST: Of course you were trained up in Europe
but you've been mainly making movies for Americans lately.
HOST: Of course you were trained up in Europe.
What is the difference between American audiences.
HOST: Of course you were trained up in Europe
and European audiences?
HOST: Of course you were trained up in Europe.
RICHIE: Basically, American audiences, what they are demanding...
NICK: What? What is this?
RICHIE: Basically, American audiences, what they are demanding...
Chord, are you there?
CHORD: Shut up! Turn off the volume
of the window or she'll hear us!
CHORD: Shut up! Turn off the volume.
Sorry. I forgot this program boots with the mike open.
So, this is... this is...
Sorry. I forgot this program boots with the mike open.
It's her phone.
Sorry. I forgot this program boots with the mike open.
You can look at anything you want.
Sorry. I forgot this program boots with the mike open.
Her messages, her pics,
Sorry. I forgot this program boots with the mike open.
Her schedule, her contacts.
Sorry. I forgot this program boots with the mike open.
Don't worry, there's no way.
Sorry. I forgot this program boots with the mike open.
We can get caught doing this.
Sorry. I forgot this program boots with the mike open.
She thinks her camera is off right now.
Sorry. I forgot this program boots with the mike open.
Why did you give this to me?
Sorry. I forgot this program boots with the mike open.
Can you keep a secret?
Sorry. I forgot this program boots with the mike open.
Yeah.
She's the one who canceled the dinner for no reason.
Yeah.
All right, OK, OK, we could go on for hours.
CHORD: Tomorrow somebody from the distributor.
All right, OK, OK, we could go on for hours.
Will make up some pretty excuse,
All right, OK, OK, we could go on for hours.
Like they always do when she acts like a fucking bitch.
All right, OK, OK, we could go on for hours.
NICK: You mean she cancelled the dinner?
All right, OK, OK, we could go on for hours.
Yeah. A little while ago.
All right, OK, OK, we could go on for hours.
I can't believe it!
All right, OK, OK, we could go on for hours.
I came all this way and nobody told me.
All right, OK, OK, we could go on for hours.
You can see who she's calling.
Tony Hillman.
I think that's her... Yeah, that's her agent.
Tony Hillman.
[Telephone ringing]
Tony Hillman.
JILL: Hi. TONY: Hi.
Tony Hillman.
I'm sorry I couldn't pick up.
Tony Hillman.
It just finished. I'm coming straight over.
Tony Hillman.
I didn't know what time the cocktail party was over.
Tony Hillman.
It's just starting. You're not staying?
Tony Hillman.
I thought it was on your schedule!
Tony Hillman.
I rushed out of there so I could
Tony Hillman.
Come and see you without having to
Tony Hillman.
Justify myself to anyone.
Tony Hillman.
Now I have to justify myself to you?
Tony Hillman.
I only have a couple hours I can spend with you.
Tony Hillman.
I'm sorry, damn it.
Tony Hillman.
You know that.
Tony Hillman.
I've been waiting all day to see you.
Tony Hillman.
CHORD: Holy shit! That son of a bitch
Tony Hillman.
Booked a hotel room a month ago
Tony Hillman.
And flew all the way over here.
Tony Hillman.
What a bastard.
Tony Hillman.
She's going to see him?
Tony Hillman.
You mean, they're going to...?
Tony Hillman.
I can't believe it!
Tony Hillman.
Looks like you'll be going back to L.A.
Tony Hillman.
With a much better souvenir than dinner with that bimbo.
Tony Hillman.
JILL: Outside the theater, on my way to the limo.
Tony Hillman.
TONY: You know where the Grand Wells Hotel is, right?
Tony Hillman.
I'll ask the driver. I think it's nearby.
Tony Hillman.
OK. I'll be waiting in the room.
Tony Hillman.
See you in a flash.
Tony Hillman.
See you.
Tony Hillman.
Did she just say the Grand Wells?
CHORD: What's wrong?
Did she just say the Grand Wells?
That's where I'm staying.
Are you serious?
That's where I'm staying.
Yeah.
That's where I'm staying.
Hold on, wait a second. What room are you in?
That's where I'm staying.
Room 700.
Why?
700.
Why?
You taped the greeting with a video camera, right?
Why?
Yeah, I have one.
Why?
They gave this to me in reception.
Good. Why?
They gave this to me in reception.
Wait, Nick. It's a video call.
They gave this to me in reception.
Jill, where are you?
Hi. I'm going straight back to the rental.
Jill, where are you?
I talked to Richie.
Jill, where are you?
He's pissed.
Jill, where are you?
Yeah, well, so am I.
Jill, where are you?
It's not the same thing, Jill.
Jill, where are you?
They should have consulted me first.
Jill, where are you?
Why didn't they? Were they too ashamed?
Jill, where are you?
Jill, please.
Jill, where are you?
"Jill, do you mind if we say
"you got caught masturbating for your boyfriend
on a webcam?"
"you got caught masturbating for your boyfriend."
Give me a fucking break.
"You got caught masturbating for your boyfriend."
Rumors get thrown out there all the time.
They're talking about it everywhere!
Rumors get thrown out there all the time.
It's the best rumor I've ever heard.
Rumors get thrown out there all the time.
And it's probably got its own.
Rumors get thrown out there all the time.
Team of publicists spreading it.
Rumors get thrown out there all the time.
Jill, I don't give a fuck about that!
Rumors get thrown out there all the time.
Should I click on this, Chord?
CHORD: Sure.
Should I click on this, Chord?
MAN: Convention, and screw up your schedule?
Should I click on this, Chord?
You know what all those people you stood up will think?
Should I click on this, Chord?
You do, right?
Should I click on this, Chord?
I bet people are saying they.
Should I click on this, Chord?
Saw you in the bathroom,
Should I click on this, Chord?
I bet people... JILL: Is that what you're worried about?
Should I click on this, Chord?
Nobody saw me doing any drugs.
Should I click on this, Chord?
Because I didn't do any drugs.
Should I click on this, Chord?
CHORD: Yeah, right, bitch.
Should I click on this, Chord?
Get the camera closer to the window.
Should I click on this, Chord?
Um... yeah.
JILL: I don't want to.
Um... yeah.
MAN: I know you don't.
Um... yeah.
No, I... I mean I don't want to renegotiate.
Um... yeah.
What are you talking about?
Um... yeah.
I can't do this anymore.
Um... yeah.
CHORD: Aim at the other wing of the building.
NICK: What?
Perfect.
You can do that?
Perfect.
Wait a second.
How is that possible?
Room 686.
OK? You'll feel better tomorrow.
I didn't just decide this.
OK? You'll feel better tomorrow.
It's been bugging me for a while now.
OK? You'll feel better tomorrow.
It's been bugging you for a while now
and you didn't even say anything?
It's been bugging you for a while now.
[Telephone ringing] I've got another call, Dave.
It's been bugging you for a while now.
We'll talk tomorrow.
It's been bugging you for a while now.
No, Jill, Jill, Jill? [Ringing]
It's been bugging you for a while now.
TONY: It's me, Jill.
Hello? It's nothing.
TONY: It's me, Jill.
Reception just called.
TONY: It's me, Jill.
There's a problem with the room.
TONY: It's me, Jill.
What are we gonna do?
TONY: It's me, Jill.
A leak or something.
TONY: It's me, Jill.
They gave me another room.
Room 686. I'm on my way over now.
They gave me another room.
OK, I'm almost there.
They gave me another room.
See you soon.
They gave me another room.
CHORD: Don't worry. Turn the lights off.
They won't see you with your lights off,
CHORD: Don't worry. Turn the lights off.
Especially if they're fucking,
CHORD: Don't worry. Turn the lights off.
Which is what it sounds like.
CHORD: Don't worry. Turn the lights off.
They'll be doing.
CHORD: Don't worry. Turn the lights off.
What? Chord, wait.
I'm not going to...
What? Chord, wait.
What is this?
What's what?
What is this?
What are you talking about?
What is this?
Another window just opened up.
What is this?
No, it didn't.
What is this?
What do you mean?
What is this?
Wait a second.
What is this?
It's him. It's Tony.
Turn off the lights or we're fucked.
It's him. It's Tony.
Shit, Chord. I'm done with this.
Don't worry, Nick.
Shit, Chord. I'm done with this.
Just give me a second.
Shit, Chord. I'm done with this.
OK, Nick.
I have a ton of work tonight.
OK, Nick.
I'm signing out.
OK, Nick.
You're leaving?
OK, Nick.
I'll still be here connected.
OK, Nick.
Call me anytime.
OK, Nick.
But... You can turn off the camera,
OK, Nick.
You can turn off the computer,
OK, Nick.
Do whatever you want.
OK, Nick.
But remember, it's her fault.
OK, Nick.
You're stranded at that hotel.
OK, Nick.
I think it's only fair she should offer you.
OK, Nick.
A little entertainment in the meantime.
OK, Nick.
Hold on a second. I...
You're a nice guy, Nick.
Hold on a second. I...
She's the one who goes around.
Hold on a second. I...
screwing over guys like you.
Hold on a second. I...
I'm just getting even.
Hold on a second. I...
See you soon, Nick.
[Computer chiming]
[Chiming]
MAN: Hello.
Hello?
First of all, we want to assure you.
Hello?
That nobody can detect or trace this line.
Hello?
It's personalized software we recently created ourselves.
Hello?
So if you want to talk to us, you are completely safe.
Hello?
Well?
Well, what?
Well?
What do you want?
Well?
We want to work for you, Nevada.
Well?
What? What did you just call me?
Well?
Nevada.
[Knocking on door]
[Knocking]
TONY: Hi. JILL: Hi.
How are you? Good. Listen.
You look great. [Kissing]
How are you? Good. Listen.
What's wrong?
Dave called me right after you hung up.
What's wrong?
Imagine how scared I was.
What's wrong?
Are you serious? Yeah, yeah.
What's wrong?
But don't worry.
What's wrong?
You know, he thinks I'm in L.A.
What's wrong?
I didn't think he'd call you.
Well, I'm your agent.
I didn't think he'd call you.
Who else would he call?
I didn't think he'd call you.
Want some?
No, I don't.
Want some?
You don't have to worry about Dave.
I managed to calm him down.
I've become an expert at calming down actors.
What did you tell him?
That you're OK, a little stressed,
What did you tell him?
That it'll go away.
What did you tell him?
That you weren't serious about
not wanting to renegotiate, that you're upset...
That you weren't serious about.
You know I've been thinking about it for months.
That you weren't serious about.
Yeah, yeah, yeah, I know, I know, I know,
That you weren't serious about
but you weren't serious about it.
That you weren't serious about.
OK? All right.
That you weren't serious about.
OK. You have to wait until the timing is better.
And you know Dave,
OK. You have to wait until the timing is better.
He likes to think that he's all up to date,
OK. You have to wait until the timing is better.
And if you suddenly tell him something like that, he'll just go...
OK. You have to wait until the timing is better.
I want to break up with him.
OK. You have to wait until the timing is better.
What?
OK. You have to wait until the timing is better.
[Sigh] Hey.
We've been over this a thousand times, Jill.
It's too soon. OK? Why can't you trust me on this?
Maybe because you're such an expert at calming down actors.
OK, I'm going to order something for dinner.
Just think about it, OK?
OK, I'm going to order something for dinner.
[Door opens]
TONY: Jill? Jill, where are you going?
[Door opens]
[Door closes]
Shit!
[Crash]
CHORD: Nick?
Chord, he's looking up here.
CHORD: Nick?
The lights suddenly turned on and then he saw the camera.
CHORD: Nick?
Who?
CHORD: Nick?
Jill's agent.
CHORD: Nick?
Jill left but he's still in there.
CHORD: Nick?
And he's looking up here.
CHORD: Nick?
I dropped the camera. I can't see him.
CHORD: Nick?
I don't know what he's doing.
CHORD: Nick?
He's left the room and he's calling reception.
CHORD: Nick?
We can hear it.
CHORD: Nick?
Let me check... Shit!
CHORD: Nick?
Shut up. [Telephone ringing]
CHORD: Nick?
MAN: Reception. Can I help you?
CHORD: Nick?
TONY: Hi. I'm in room 686.
CHORD: Nick?
OK.
CHORD: Nick?
I want to know what room is
right across from mine.
I want to know what room is.
One floor up. At the end of the hall.
I want to know what room is.
Oh, that's room 700. It's not occupied.
I want to know what room is.
Is there a reason you're asking?
I want to know what room is.
What? It's not occupied?
I want to know what room is.
If you'd like to take a look,
I want to know what room is
I can order a card key from the main office.
I want to know what room is.
Shit!
I want to know what room is.
OK, thanks. I'm on my way.
I want to know what room is.
Great. Thanks for calling.
I want to know what room is.
NICK: What the...
CHORD: The main office.
NICK: What the...
The first floor.
NICK: What the...
It must be... there it is.
NICK: What the...
He's coming this way. I have to get out of here.
You can't leave your laptop and your video camera in there.
He's coming this way. I have to get out of here.
I'll bring them with me.
He's coming this way. I have to get out of here.
There isn't time, Nick.
He's coming this way. I have to get out of here.
He'll be there before you reach the door.
He's coming this way. I have to get out of here.
Do as I say, OK?
He's coming this way. I have to get out of here.
Do as I say and everything will be fine.
Put your stuff under the bed
where the arrow's pointing.
Put your stuff under the bed.
The video camera and that suitcase.
Everything but your laptop.
Under the bed?
Everything but your laptop.
Do it.
In there.
What's in there?
In there.
There's a bag. Open it. Hurry!
In there.
See the two metal teeth?
The taser has a switch on the base.
See the two metal teeth?
It's very simple.
When the guy walks into the room,
It's very simple.
You zap him with it from behind.
It's very simple.
He won't even see you.
It's very simple.
When he wakes up, he'll be in an empty room, that's all.
It's very simple.
I don't...
It's very simple.
Either that or you'll have to face him.
It's very simple.
No offense, but he looks like more than you can handle.
It's very simple.
It's your call.
It's very simple.
[Knocking on door]
TONY: Hello?
Hello!
What the...?
NICK: Shit, shit... shit!
CHORD: Quick, move that nightstand.
NICK: Shit, shit... shit!
What is this?
The gag is for his mouth
and the cuffs on the wall are for his hands.
The gag is for his mouth.
What? He didn't see your face.
The gag is for his mouth
and I erased you from the hotel registry.
The gag is for his mouth.
You're clean, but you still need.
The gag is for his mouth
to get the hell out of there.
The gag is for his mouth
before he sounds the alarm.
The gag is for his mouth.
This way we can make sure he stays quiet.
The gag is for his mouth
and doesn't go anywhere when he wakes up.
The gag is for his mouth.
No, no, no, no, no, no.
The gag is for his mouth.
We don't know how long he'll be out.
The gag is for his mouth.
What will you do if he comes to.
The gag is for his mouth
and you're still there?
The gag is for his mouth.
Zap him again?
The gag is for his mouth.
You know how dangerous that would be?
Do it for him, Nick.
You know how dangerous that would be?
What if I just leave?
I can only get you out of this.
What if I just leave?
If you do everything I say.
What if I just leave?
If you're not going to, I'll sign out right now.
What if I just leave?
OK, see ya!
No, no!
OK, see ya!
Tie him up. Now.
OK, see ya!
[Grunting]
All this... stuff.
You put it here. Why?
All this... stuff.
Hurry up.
All this... stuff.
Grab your laptop and get out of there.
What about my stuff?
Come on, Nick, grab your laptop
and get out of there. [Smoke alarm ringing]
Come on, Nick, grab your laptop.
Don't shut it, you idiot!
I need to guide you so nobody will see you.
Don't shut it, you idiot!
Keep it on.
Don't shut it, you idiot!
You have enough battery.
Don't shut it, you idiot!
The hallway is empty.
Don't shut it, you idiot!
Go outside and turn right.
Don't shut it, you idiot!
There's a service elevator at the end of the hall.
I'll send it to your floor.
There's a service elevator at the end of the hall.
You have a rental car in the garage, right?
There's a service elevator at the end of the hall.
Yeah.
There's a service elevator at the end of the hall.
No, wait!
There's a service elevator at the end of the hall.
If you stay there they'll both see you.
There's a service elevator at the end of the hall.
You can't let anyone see you.
There's a service elevator at the end of the hall.
What do I do?
There's a service elevator at the end of the hall.
They're headed right for you.
There's a service elevator at the end of the hall.
The door on your left. Room 704.
There's a service elevator at the end of the hall.
I just opened it. Don't make any noise.
There's a service elevator at the end of the hall.
Stay still. You're not alone.
[Telephone ringing]
Stay still. You're not alone.
[Ringing]
Stay still. You're not alone.
MAN: Hello?
Stay still. You're not alone.
WOMAN: Good evening, sir.
Stay still. You're not alone.
Can I ask you for something?
Stay still. You're not alone.
We're doing an equipment check.
Stay still. You're not alone.
Would you mind turning up.
Stay still. You're not alone.
The volume on your television?
Stay still. You're not alone.
Oh, sure.
Stay still. You're not alone.
[Volume increases]
Stay still. You're not alone.
Thank you very much.
Stay still. You're not alone.
CHORD: Leave the room. Now.
Stay still. You're not alone.
Great. The elevator's right there.
Take it to the garage.
Great. The elevator's right there.
NICK: That was you!
The guy from reception?
NICK: That was you!
It sounded just like the other voice.
NICK: That was you!
I'm pretty good at impersonations.
NICK: That was you!
Hurry up. There's no time to lose.
NICK: That was you!
There's nobody on that floor right now.
NICK: That was you!
We can do this, Nick. Hurry.
NICK: That was you!
Are you sure no one has seen me?
NICK: That was you!
So, all that stuff in my room, the cameras...
Don't worry. They're totally secure,
So, all that stuff in my room, the cameras...
completely untraceable.
So, all that stuff in my room, the cameras...
Nobody will know you were there.
So, all that stuff in my room, the cameras...
That means... you've already been in my room.
If I'd told you I prepped the room.
That means... you've already been in my room.
Just in case, you'd have freaked out.
That means... you've already been in my room.
Where are you right now?
Where are you talking to me?
Where are you right now?
OK, you made it.
Where are you right now?
We got lucky. The garage is empty.
Who are you?
Quick. Quickly, get in the car.
Who are you?
Our luck won't last.
Who are you?
You're forgetting the computer, damn it!
[Rock music playing loudly]
Sorry, I must have left that on.
[Rock music playing loudly]
[Turns down radio]
[Rock music playing loudly]
You were in this car?
That's right.
You were in this car?
Open the glove compartment.
You were in this car?
[Beeping]
Stick it on your dashboard facing the road.
No, I'm not hiding in the back seat.
Hurry up, damn it!
No, I'm not hiding in the back seat.
Where are you?
No, I'm not hiding in the back seat.
Where are you watching me from?
No, I'm not hiding in the back seat.
Do it.
No, I'm not hiding in the back seat.
Why? What for?
Put the camera on the dashboard.
Why? What for?
What for?
Why? What for?
Why are you doing this to me?
I want to see you. Show yourself!
Why are you doing this to me?
It's just as easy for me to show this to the police, Nick.
All I have to do is press a button.
It's just as easy for me to show this to the police, Nick.
I'll explain it to them. I'll tell them...
They won't even ask you, shit for brains.
I'll explain it to them. I'll tell them...
They already know who you are.
I'll explain it to them. I'll tell them...
Hi, there. I'm Nick Chambers
I'll explain it to them. I'll tell them...
and I'm the webmaster...
I'll explain it to them. I'll tell them...
They'll have seen you explaining
I'll explain it to them. I'll tell them...
how you won a blog contest,
I'll explain it to them. I'll tell them...
which nobody ever authorized.
I'll explain it to them. I'll tell them...
A blog contest which all of a sudden...
I'll explain it to them. I'll tell them...
Poof! Just disappears.
I'll explain it to them. I'll tell them...
How long have you been doing this to me?
It's up to you, Nick.
Where to?
I gave you an arrow.
Where to?
Follow the arrow.
Where to?
Where are we going?
Where to?
Drive!
Where to?
[Rock music playing]
Where to?
Um... Nick... Turn off that awful music, will you?
[Turns off music]
You're the one who left it on.
[Turns off music]
I'm sorry, the CD has me curious.
[Turns off music]
It's not exactly your style of music.
[Turns off music]
Actually, I know your tastes.
[Turns off music]
You hate crap like that as much as I do.
[Turns off music]
Are you sure the CD is yours?
Um, if you'll excuse me, I need to go for a second.
Keep driving. I'll be right back.
Um, if you'll excuse me, I need to go for a second.
[Computer chiming]
Excuse me, Nevada.
What is this?
Excuse me, Nevada.
Why are you calling me Nevada?
Excuse me, Nevada.
We've seen each other before.
Excuse me, Nevada.
We met on April.
Excuse me, Nevada.
What? I don't know what you're talking about.
Excuse me, Nevada.
We know the rule. If a hacker wants to work for you,
Excuse me, Nevada.
He has to prove himself by hacking you first.
Excuse me, Nevada.
This is what we did, on April.
Excuse me, Nevada.
We uploaded a greeting onto your system.
Excuse me, Nevada.
Then, later that day, you called us back.
Excuse me, Nevada.
MAN: Here's the video file.
SECOND MAN: What makes you think you can contact me like this?
Hi... Nevada?
Are you Nevada?
Hi... Nevada?
NEVADA: Yes, I am.
Hi... Nevada?
At first we thought it was strange of you
to cut us off like that.
At first we thought it was strange of you.
If you wanted to meet us, why cut us off?
At first we thought it was strange of you.
Then we figured you thought the connection might be unsafe.
At first we thought it was strange of you.
So, we've been reinforcing it.
At first we thought it was strange of you.
Wait, wait, wait. I'm not Nevada!
At first we thought it was strange of you.
[Whispering]
That's right.
If you show your face, we show ours.
That's right.
My name is Pierre Da Rocha, Triop 1.
This is our base in Paris.
My name is Pierre Da Rocha, Triop 1.
CHORD: Nick? Who's talking?
My name is Pierre Da Rocha, Triop 1.
Did you hear a voice?
My name is Pierre Da Rocha, Triop 1.
It was... the radio.
I don't see any radio on your computer.
It was... the radio.
The car radio.
You're almost there.
Wait for me when you get there.
You're almost there.
Excuse me, Nevada, sorry.
You are in the middle of an operation.
That's not your real face, it's make-up, right?
You are in the middle of an operation.
What?
You are in the middle of an operation.
We understand, this is not the best time.
You are in the middle of an operation.
We are going to leave an open window.
You are in the middle of an operation.
For you to talk to us, whenever you want.
You are in the middle of an operation.
Remember... you are the best... but we are close second.
You are in the middle of an operation.
[Car's engine shuts off]
CHORD: Remember the trick I played on Jill's cell phone?
Well, it's even easier to do it with her computer.
CHORD: Remember the trick I played on Jill's cell phone?
She's in the apartment they rent for her.
She has no idea her webcam is on.
She's in the apartment they rent for her.
What's that?
CHORD: Her computer. From inside.
What's that?
I uploaded a file to your desktop.
What's that?
The red rectangle... I want you.
What's that?
To drag it to her windows.
What's that?
Upper right corner.
What's that?
It will open automatically on her computer.
What's that?
Do it right now.
What's that?
What is it?
When it opens on hers,
What is it?
It'll open on yours as well.
What is it?
You'll be able to see everything.
What is it?
Do it.
What is it?
Chord? What is this?
Is that you?
What are you doing?
Is that you?
What is this?
You're the one who wanted to see me so badly.
Listen to me, Nick.
Right now you've two options.
Listen to me, Nick.
Either drag that message for Jill to her computer.
Listen to me, Nick.
Or I'll give it to her personally.
Listen to me, Nick.
[Thud]
[Footsteps]
JILL: Hello?
Chord, wait! No!
JILL: Hello?
What are you doing?
JILL: Hello?
CHORD: It's up to you, Nick.
JILL: Hello?
Send her the file or I'll go upstairs after her.
JILL: Hello?
Wait, wait! I'll do it!
JILL: Hello?
Shit! What the fuck is this?
WOMAN: Jill!
Hi.
WOMAN: Jill!
You OK?
WOMAN: Jill!
Yeah, I'm fine.
WOMAN: Jill!
You don't look so good.
WOMAN: Jill!
Why? Did you watch the presentation?
WOMAN: Jill!
No. I mean now. You look pissed.
WOMAN: Jill!
Oh, no, sorry.
WOMAN: Jill!
I just heard something fall downstairs and I got scared.
WOMAN: Jill!
CHORD: OK, Nick, wait until they're done talking.
Send the message as soon as her friend hangs up.
CHORD: OK, Nick, wait until they're done talking.
OK. But tell me...
CHORD: OK, Nick, wait until they're done talking.
I'll be back in a while.
CHORD: OK, Nick, wait until they're done talking.
Hello? Chord?
CHORD: OK, Nick, wait until they're done talking.
WOMAN: It's impossible for me to reach you.
You're talking to me right now.
WOMAN: It's impossible for me to reach you.
Tony called earlier.
Carol, I... I'm going to sign off.
I want to go to bed.
Carol, I... I'm going to sign off.
CAROL: He said you and Dave had another fight.
Carol, I... I'm going to sign off.
Tony is worried about your relationship.
Carol, I... I'm going to sign off.
He thinks you should spend more time together.
Carol, I... I'm going to sign off.
[Computer chiming]
So, Tony's worried.
[Computer chiming]
CAROL: Yes. He said your...
[Computer chiming]
Nevada?!
[Computer chiming]
Can you get inside my computer and see everything I see?
NICK: Do it now.
CAROL: He's trying to help you, Jill.
There's a man hiding in her house.
CAROL: He's trying to help you, Jill.
He's watching everything I do.
CAROL: He's trying to help you, Jill.
He's hiding in her house.
CAROL: He's trying to help you, Jill.
She doesn't know. She's in danger.
CAROL: He's trying to help you, Jill.
PIERRE: Have you got a ping-pong camera?
CAROL: He's trying to help you, Jill.
We can use it to geolocate you.
CAROL: He's trying to help you, Jill.
NICK: What?
CAROL: He's trying to help you, Jill.
OK, it is you.
CAROL: He's trying to help you, Jill.
It's on your dashboard.
CAROL: He's trying to help you, Jill.
Those cameras are awesome, Nevada.
CAROL: He's trying to help you, Jill.
Forget about me.
CAROL: He's trying to help you, Jill.
She's the one that matters.
CAROL: He's trying to help you, Jill.
She's the one in danger, damn it!
CAROL: He's trying to help you, Jill.
CAROL: It's a critical moment in your career.
CAROL: He's trying to help you, Jill.
You can't blow this.
CAROL: He's trying to help you, Jill.
The media is just waiting for you to fuck up again.
You might think that they've pardoned you
because they've been off your back for a while.
You might think that they've pardoned you.
But they haven't.
You might think that they've pardoned you.
If you announce that you're retiring now,
you'll be crucified. You know that.
If you announce that you're retiring now,
And if you change your mind and try to.
If you announce that you're retiring now,
make a comeback, you'll be a laughing stock.
If you announce that you're retiring now,
Seriously, is there anything I can do to help?
If you announce that you're retiring now,
Anything you need?
If you announce that you're retiring now,
Yeah.
If you announce that you're retiring now,
What?
If you announce that you're retiring now,
CHORD: Well, Nick.
What are you waiting for?
Send it to her.
NICK: Tell me what it is.
Send it to her.
As soon as you tell me, I'll send it to her.
Send it to her.
Shit, Nick.
Send it to her.
We've already had this conversation.
Send it to her.
Even an idiot like you can figure out.
Send it to her.
That if I wanted to hurt her, I already would have.
Send it to her.
I don't want to, but I will if you force me to.
Send it to her.
OK! I'll send it, I'll send it!
Good.
That wasn't so hard now, was it?
Good.
[Gasp]
[Grunting]
[Gasp]
NICK: Jesus Christ. No.
[Gasp]
[Dialing]
[Gasp]
[Crackling] [Whimpering]
[Gasp]
Chord! Jesus, Chord!
[Gasp]
Aah!
[Gasp]
CHORD: If she puts down the phone,
[Gasp]
I'll turn off the juice.
[Gasp]
Tell her. Write it in the text window.
[Gasp]
[Whimpering continues]
[Gasp]
If she picks it up, Tony's mouth
will never be the same again.
If she picks it up, Tony's mouth.
Tell her to stay put.
Can you see me?
Tell her, damn it!
Can you see me?
OK, Nick.
You can take it from here.
OK, Nick.
Go ahead.
JILL: Where, where is Tony?
What do you want from me?
CHORD: Tell her, Nick.
What do you want from me?
Tell her what?
What do you want from me?
What you want from her.
What do you want from me?
I don't want anything.
What do you want from me?
She'll do anything you ask, Nick.
What do you want from me?
I don't want anything.
What do you want from me?
Like at the hotel, right?
What do you want from me?
You're a fraud.
What do you want from me?
JILL: Stop! Please, stop!
What do you want from me?
Aah! [Whimpering]
What do you want from me?
Chord, wait! OK, OK, OK!
What do you want from me?
[Whimpering continues]
What do you want from me?
CHORD: Good.
See how easy this is?
CHORD: Good.
It's all in your head.
CHORD: Good.
It's already there.
CHORD: Good.
OK, now let Tony go.
CHORD: Sorry.
OK, now let Tony go.
JILL: Stop!
OK, now let Tony go.
I don't know what else to say.
No! OK, OK!
I don't know what else to say.
JILL: Stop!
I don't know what else to say.
[Man whimpering]
I don't know what else to say.
CHORD: Good! Jesus Christ!
Like this?
CHORD: Good! Jesus Christ!
Are you kidding me?
OK, wait, wait!
Yes, wider, of course.
Before now you had to settle for those
lame photos you had on your filthy web site.
Before now you had to settle for those.
You're finally going beyond the final frontier, huh?
Before now you had to settle for those.
Like this?
Before now you had to settle for those.
[Whimpering]
Before now you had to settle for those.
JILL: Oh, what do you want?
Before now you had to settle for those.
What do you want!?
Before now you had to settle for those.
Chord, let me think, god damn it!
Before now you had to settle for those.
What's there to think about?
Before now you had to settle for those.
Oh, this is good stuff.
Better than those pics of Jill.
Oh, this is good stuff.
Where you can barely see her panties.
Oh, this is good stuff.
You like that stuff but it's kind of a tease, isn't it?
Oh, this is good stuff.
Listen, I have an idea, OK?
Oh, this is good stuff.
Come on. Tell me where you are.
Oh, this is good stuff.
And I can come over there.
Oh, this is good stuff.
I'll do anything you say, OK?
Oh, this is good stuff.
Hold on.
We're failing at something pretty basic here, Nick.
Hold on.
That bitter look on her face has to go.
Hold on.
I understand.
Can I wipe my face?
I understand.
Yes, she can.
I understand.
Of course she can.
I understand.
I can... I can come over there like this.
Cut the crap, Nick.
I can... I can come over there like this.
We're off course here.
I can... I can come over there like this.
Her robe's closed again.
I can... I can come over there like this.
Tell her to open it, damn it.
I can... I can come over there like this.
JILL: You don't want to see me in person?
I can... I can come over there like this.
[Sniffles]
How's this?
Fuck you, Nick.
[Whimpering]
Fuck you, Nick.
Tell me... tell me how you want it, you fucking son of a bitch!
Fuck you, Nick.
Hey, hey! Look, look!
Fuck you, Nick.
Now we're talking! Keep going, damn it!
Fuck you, Nick.
Don't let her close the robe again.
Fuck you, Nick.
Ah. That's a good idea.
Let's see how it goes.
Ah. That's a good idea.
I understand. Just, just give me a second.
Ah. You're heading in the right direction.
Keep going. OK.
Ah. You're heading in the right direction.
NICK: Chord?
Keep going.
NICK: Chord?
Oh, yeah. Very nice.
That's what I'm talking about.
Oh, yeah. Very nice.
What's... oh, shit. I can't believe it.
Oh, yeah. Very nice.
What was that?
Oh, yeah. Very nice.
She must have picked up her cell.
Oh, yeah. Very nice.
With her left hand.
Oh, yeah. Very nice.
She's calling the cops!
Oh, yeah. Very nice.
The cops?
Oh, yeah. Very nice.
Don't worry, I blocked her signal earlier.
We're the only ones who can hear her.
Don't worry, I blocked her signal earlier.
Smart girl, smart girl.
Don't worry, I blocked her signal earlier.
OK, Nick, where were we?
She's already doing great.
Maybe a little more... more...
She's already doing great.
Well, sometimes the simplest things
work the best.
Well, sometimes the simplest things.
OK.
OK, Nick. This is all I need.
He cut the connection.
He cut it?
He cut the connection.
Are you sure?
He cut the connection.
You're on your own.
He cut the connection.
Jill, it's over! It's over!
Help! Help! Please help! It's an emergency!
It's OK! Everything's fine.
Help! Help! Please help! It's an emergency!
Help is coming.
Help! Help! Please help! It's an emergency!
Stay where you are.
Help! Help! Please help! It's an emergency!
Don't go anywhere.
Help! Help! Please help! It's an emergency!
Jill! Jill, no!
Aah!
Jill! Jill, no!
No!
PIERRE: Nevada! Nevada!
It's OK, listen.
PIERRE: Nevada! Nevada!
We're extracting the information.
PIERRE: Nevada! Nevada!
From the police server.
PIERRE: Nevada! Nevada!
NICK: The police? Damn! Are they far away?
PIERRE: Nevada! Nevada!
They've already sent units to the house.
PIERRE: Nevada! Nevada!
Fuck. Fuck.
What is he doing?
Fuck. Fuck.
What is that?
Fuck. Fuck.
I don't know.
What do the police know?
They've got the situation under control.
What do the police know?
They know he's in there and they know he's armed.
What do the police know?
OK, don't worry. They're almost there.
They will arrive in half a minute or so.
OK, don't worry. They're almost there.
MAN: Oh, putain! Guys! Guys!
OK, don't worry. They're almost there.
Look at this.
OK, don't worry. They're almost there.
MAN: What is that?
SECOND MAN: It's the police.
MAN: What is that?
They have access to these security cameras.
MAN: What is that?
What? There were cameras all over the house the whole time?
MAN: What is that?
NICK: Find Jill!
MAN: What is that?
She has to be there somewhere.
MAN: What is that?
MAN: There he is! Wearing a mask!
That's him.
MAN: There he is! Wearing a mask!
SECOND MAN: He's by a woodpile on the first floor.
I don't see her anywhere.
SECOND MAN: He's by a woodpile on the first floor.
PIERRE: Keep looking.
SECOND MAN: He's by a woodpile on the first floor.
I only see him.
SECOND MAN: He's by a woodpile on the first floor.
MAN: They're here! They're here!
NICK: Pierre, what exactly did you tell them?
Do they know about the guy at the hotel?
NICK: Pierre, what exactly did you tell them?
What? We didn't talk to them.
NICK: Pierre, what exactly did you tell them?
What? You didn't call them?
NICK: Pierre, what exactly did you tell them?
No! They were already on their way when we spiked them.
NICK: Pierre, what exactly did you tell them?
I thought you did!
NICK: Pierre, what exactly did you tell them?
No.
NICK: Pierre, what exactly did you tell them?
Who the fuck did?
PIERRE: One second.
MAN: Assault team, we've got all the exits covered.
Green light. Green light.
MAN: Assault team, we've got all the exits covered.
It doesn't seem like the subjects can hear us.
MAN: What is he doing?
It doesn't seem like the subjects can hear us.
NICK: Hold on. Wait!
MAN: What looks like a hunting knife.
NICK: Hold on. Wait!
He's holding it up at eye level.
NICK: Hold on. Wait!
Wait a minute.
NICK: Hold on. Wait!
MAN: He's picking something up.
It's the same log.
MAN: He's picking something up.
MAN: He's coming out. I repeat.
MAN: He's picking something up.
He's coming out. I repeat.
MAN: He's picking something up.
PIERRE: He's in there. Now he's trapped.
MAN: He's picking something up.
MAN: He's pointing the rod right at you, guys.
What the fuck?
NICK: It's a trap! He set them up!
What the fuck?
He's been toying with them this whole time.
What the fuck?
Chord isn't in there. It's a recording.
What the fuck?
PIERRE: So, it's a video with time delay.
Then where is he?
PIERRE: So, it's a video with time delay.
Shit. Where's her house?
PIERRE: So, it's a video with time delay.
What's the address? How do I get there?
PIERRE: So, it's a video with time delay.
[Car's engine starts]
[Explosion]
Fuck. I'm right down the street!
Fuck!
Fuck. I'm right down the street!
PIERRE: Wait, wait, wait, listen, stop!
[Sirens wailing]
PIERRE: Wait, wait, wait, listen, stop!
Nevada, there's a problem.
PIERRE: Wait, wait, wait, listen, stop!
The police are putting out an APB.
PIERRE: Wait, wait, wait, listen, stop!
They've traced the signals from the cameras in your apartment.
PIERRE: Wait, wait, wait, listen, stop!
NICK: What did they find?
PIERRE: Wait, wait, wait, listen, stop!
The cameras pointed to your computer!
PIERRE: Wait, wait, wait, listen, stop!
They think it's you! They know where you are!
PIERRE: Wait, wait, wait, listen, stop!
Oh, my God!
All the cameras in the house.
Oh, my God!
Are ping-pong cameras like yours, Nevada.
Oh, my God!
Who is this guy?
Oh, my God!
CHORD: Hello, Nick. Sorry, Nick.
Chord, listen. Where are you? Where's Jill?
CHORD: Hello, Nick. Sorry, Nick.
I need you for one more thing.
CHORD: Hello, Nick. Sorry, Nick.
I need you to keep everybody distracted.
CHORD: Hello, Nick. Sorry, Nick.
For a few minutes.
CHORD: Hello, Nick. Sorry, Nick.
Do that for me and I'm afraid that's all.
CHORD: Hello, Nick. Sorry, Nick.
It's time to say good-bye.
Chord, wait.
It's time to say good-bye.
I want you to know one thing.
It's time to say good-bye.
I hope you feel guilty when you find out.
It's time to say good-bye.
What happened to Jill tonight.
It's time to say good-bye.
Why? What's going to happen to her?
It's time to say good-bye.
Because it's your fault, too.
It's time to say good-bye.
[Tires screeching]
It's time to say good-bye.
Fuck!
It's time to say good-bye.
Chord? Chord?
MAN: There he is! I've found him!
Chord? Chord?
He caused an accident. It seems he ran away.
He can't be far. There!
He caused an accident. It seems he ran away.
Where is he?
He caused an accident. It seems he ran away.
Corner of West 24.
He caused an accident. It seems he ran away.
Half a mile away from the crashed van.
He caused an accident. It seems he ran away.
Where is that?
He caused an accident. It seems he ran away.
Forget it, you're headed right for him!
He caused an accident. It seems he ran away.
No, no, no, no!
Where are you going?
How far away is he?
Where are you going?
PIERRE: Nevada!
Where are you going?
NICK: Shit! Shit!
Where are you going?
The road! They're blocking it!
Fuck!
The road! They're blocking it!
Can you tell me where he is right now?
MAN: Nevada, here.
Can you tell me where he is right now?
Turn right on the next intersection.
Can you tell me where he is right now?
Where is he now?
He's turning down West 12!
You'll see the accident any second now.
He's turning down West 12!
You need to turn around.
He's turning down West 12!
Why around it? I can't stay behind him?
He's turning down West 12!
PIERRE: No! The accident blocked it!
He's turning down West 12!
You can't get through.
He's turning down West 12!
You have to turn right.
He's turning down West 12!
MAN: If he turns right, he'll lose him.
He's turning down West 12!
NICK: What did he say?
He's turning down West 12!
PIERRE: Turn right.
He's turning down West 12!
What are you doing? Turn right!
He's turning down West 12!
Goddamn it. I can't get out!
Fuck! Shit!
Goddamn it. I can't get out!
Let me back on the road!
Goddamn it. I can't get out!
Get out of the way! Move it!
Goddamn it. I can't get out!
[Horn honking]
Goddamn it. I can't get out!
PIERRE: OK, they're falling behind.
But don't stop.
PIERRE: OK, they're falling behind.
Don't stop.
PIERRE: OK, they're falling behind.
Where is Chord?
MAN: I lost him!
There's an alley 100 yards ahead.
Turn in.
PIERRE: Stop!
NICK: We lost him? We lost Chord?
PIERRE: Son of a bitch. We don't have a chance.
NICK: We lost him? We lost Chord?
Unless he keeps flipping trucks over.
NICK: We lost him? We lost Chord?
We can't trace him and we don't know.
NICK: We lost him? We lost Chord?
What kind of hardware he's carrying.
NICK: We lost him? We lost Chord?
[Computer beeping]
NICK: We lost him? We lost Chord?
What's that?
My web site.
Chord is controlling it.
My web site.
JILL: I'll do anything you say, OK?
NICK: Son of a bitch.
JILL: I'll do anything you say, OK?
NICK: What is that?
JILL: I'll do anything you say, OK?
MAN: It's not just your web site.
JILL: I'll do anything you say, OK?
It's... oh, my God. It's a massive virus.
JILL: I'll do anything you say, OK?
Most of the addresses are showing the same thing.
JILL: I'll do anything you say, OK?
PIERRE: That's almost 1/3 of the global network.
JILL: I'll do anything you say, OK?
How can he do that?
JILL: I'll do anything you say, OK?
MAN: I have absolutely no idea.
JILL: I'll do anything you say, OK?
NICK: He's doing it from the same terminal
he used to get inside my computer.
NICK: He's doing it from the same terminal.
You might be able to trace the source.
NICK: He's doing it from the same terminal.
PIERRE: Yeah. Right.
NICK: He's doing it from the same terminal.
You were able to tap the ping-pong cameras.
The ones he had all over the house.
You were able to tap the ping-pong cameras.
You want us to tap them again?
You were able to tap the ping-pong cameras.
It could be dangerous. The house is full of agents.
You were able to tap the ping-pong cameras.
No, not those. He has more.
You were able to tap the ping-pong cameras.
His bag is filled with them.
You were able to tap the ping-pong cameras.
Didn't you see? They were spilling out.
You were able to tap the ping-pong cameras.
Shit, you're right!
You were able to tap the ping-pong cameras.
Can you locate them?
You were able to tap the ping-pong cameras.
It's harder if they're moving, but...
You were able to tap the ping-pong cameras.
I did it! I traced the web site.
I found it. His server.
I did it! I traced the web site.
Seriously? Can we get in?
I did it! I traced the web site.
He detected me and put in a firewall.
His equipment is very good.
He detected me and put in a firewall.
But I was able to copy a video file.
He detected me and put in a firewall.
PIERRE: What is this?
MAN: Are those...?
That's how he had the Internet in his pocket.
Where did he get these kind of servers?
What made you pick that file?
MAN: Look at the name.
What made you pick that file?
Triops Team Call. That's us!
What made you pick that file?
Wait a second.
What made you pick that file?
April 16th,
What made you pick that file?
That's the date of our...
What made you pick that file?
[Computer chiming]
What made you pick that file?
What is it?
What made you pick that file?
That's our greeting. Don't you remember?
What made you pick that file?
We sent you this, then later, you called us back.
What made you pick that file?
That's your equipment, Nevada.
What made you pick that file?
And if that's your equipment, then, then that's you.
What made you pick that file?
[Computer chiming]
What made you pick that file?
Shit, shit. That's Nevada!
The guy with the mask is Nevada.
Shit, shit. That's Nevada!
Nevada's in the middle of an operation.
Shit, shit. That's Nevada!
And we're screwing it up!
Shit, shit. That's Nevada!
MAN: If Chord is Nevada, then who's that guy?
Shit, shit. That's Nevada!
He's a nobody! He's a decoy!
Shit, shit. That's Nevada!
Nevada has been using him and his connection.
Shit, shit. That's Nevada!
To throw off the police!
Shit, shit. That's Nevada!
That's why we confused his shitty laptop
with Nevada's terminal.
That's why we confused his shitty laptop.
He's been tricking us the whole time!
I never tricked you!
He's been tricking us the whole time!
I never said I was Nevada.
He's been tricking us the whole time!
My name is Nick.
He's been tricking us the whole time!
There they are. The 23 ping-pong cameras,
He's been tricking us the whole time!
All together.
He's been tricking us the whole time!
It's his car.
He's been tricking us the whole time!
He's heading west on Endfield.
He's been tricking us the whole time!
Turn that off!
He's been tricking us the whole time!
NICK: What? Jill is that car.
He's been tricking us the whole time!
Deconnecte ce trou du cul.
He's been tricking us the whole time!
Pas question de me deconnecter!
He's been tricking us the whole time!
Fait es ça et vous verrez!
He's been tricking us the whole time!
Tu parles français aussi, putain de mytho!
J'ai jamais dit que je parlais pas français!
Tu parles français aussi, putain de mytho!
Who cares if you do speak French!
Why are we still connected to this enfoiré?
Who cares if you do speak French!
If you disconnect me, I'll tell the police about you!
Who cares if you do speak French!
Oh, yeah?
Who cares if you do speak French!
And what will you say?
Who cares if you do speak French!
We won't leave anything traceable.
Who cares if you do speak French!
On that cheap laptop of yours.
Who cares if you do speak French!
[Camera's shutter clicks]
Who cares if you do speak French!
[Camera's shutter clicks]
Who cares if you do speak French!
NICK: I got you!
Erase his hard drive!
NICK: I got you!
It's right here.
What did you say?
It's right here. I made a copy.
What did you say?
Fuck you!
What did you say?
Why did you do that?
Because I'm sick of this shit!
Why did you do that?
[Car's engine starts]
Why did you do that?
Should I turn left or right?
Why did you do that?
If you turn right on East 2nd, you've got a clear path.
Why did you do that?
MAN: Chord is nearby.
I'm going to cross the signal from the ping-pong cameras.
MAN: Chord is nearby.
PIERRE: What are you doing? Wait a second.
MAN: Chord is nearby.
Nick. Nick!
Keep going. Keep going until you get to the bridge.
Nick. Nick!
There is something very, very few people know.
Nick. Nick!
PIERRE: Do you remember this?
That was Nevada!
He organized the heist,
That was Nevada!
Took the ransom money, and returned the painting damaged.
This is the police detective who disappeared overnight
took the ransom money, and returned the painting damaged.
After arranging the ransom payment.
Took the ransom money, and returned the painting damaged.
And this is the restorer who charged a fortune
took the ransom money, and returned the painting damaged.
To remove the stain from the painting.
Took the ransom money, and returned the painting damaged.
Look closely. They're both Nevada!
Took the ransom money, and returned the painting damaged.
Remember when little Danny was rescued and it was all a hoax?
Took the ransom money, and returned the painting damaged.
The Guinean flu epidemic?
Took the ransom money, and returned the painting damaged.
When Marker Financials disappeared?
Took the ransom money, and returned the painting damaged.
And the Wall Street extortions?
Took the ransom money, and returned the painting damaged.
They were all Nevada operations.
Took the ransom money, and returned the painting damaged.
This was Nevada. This was Nevada.
Took the ransom money, and returned the painting damaged.
And this guy. Even this guy.
Took the ransom money, and returned the painting damaged.
He can be anyone!
Took the ransom money, and returned the painting damaged.
Do you understand?
The man with the mask is Nevada.
Do you understand?
We'd better stay out of it.
Do you understand?
MAN: The map! PIERRE: What?
Do you understand?
Look at the map!
Do you understand?
He's here. Nick?
NICK: I'm looking right at him.
He's here. Nick?
You should see him any second now.
He's going to pass right in front of you in 3, 2, 1...
He didn't recognize you.
Wait, wait, wait a minute.
Let me try something.
NICK: What are you doing?
Let me try something.
The feed from all the cameras,
they can be generated as one signal.
The feed from all the cameras,
if we cross the frequency.
The feed from all the cameras,
OK, you can see it, right?
When the ping-pongs are closed together,
OK, you can see it, right?
They can build a real-time 3D model like this.
OK, you can see it, right?
It's a bag.
OK, you can see it, right?
All the cameras are inside of the bag.
OK, you can see it, right?
From the shape of the bag, it could be lying inside a trunk.
OK, you can see it, right?
NICK: Hold on! What?
OK, you can see it, right?
Put it back like it was before,
OK, you can see it, right?
When you could see the bottom.
OK, you can see it, right?
OK.
OK, you can see it, right?
Look how the shape of the bag changes right there.
OK, you can see it, right?
Look, right there.
A foot! It's a foot!
Look, right there.
It's hers. She's in the trunk.
Look, right there.
PIERRE: Nick, listen.
In the last 5 years, Nevada has organized more than.
PIERRE: Nick, listen.
30 carefully designed revolutionary operations.
PIERRE: Nick, listen.
And has never produced a single victim...
PIERRE: Nick, listen.
A single victim! Don't you get it?
PIERRE: Nick, listen.
He isn't going to hurt her. The girl is safe.
PIERRE: Nick, listen.
He's already hurt her enough!
PIERRE: Nick, listen.
MAN: He's right, Pierre.
Is there any doubt it's him?
MAN: He's right, Pierre.
Nobody in the world has this kind of technology.
MAN: He's right, Pierre.
He's the only one capable of this.
MAN: He's right, Pierre.
MAN: That's true, but Nevada would never have done something...
MAN: He's right, Pierre.
You always have to wait until the end!
MAN: He's right, Pierre.
It will make sense in the end!
MAN: He's right, Pierre.
It always does!
MAN: He's right, Pierre.
What's that up there? Could it be...
MAN: He's right, Pierre.
MAN: Is that a cell phone?
Yes! It's her cell phone!
PIERRE: What are you doing now?
NICK: Jill? Jill? Can you hear me?
Behind you. In the bag.
Jill! Can you hear me?
It's me, the guy from before.
Jill! Can you hear me?
JILL: You? Jill!
We're gonna get you out of there.
How?
We're gonna get you out of there.
Just keep your voice down.
We're gonna get you out of there.
I'm in the trunk. My hands are tied.
We're gonna get you out of there.
We're following your car.
We're gonna get you out of there.
Where is he taking me?
We're gonna get you out of there.
Jill, listen to me.
We're gonna get you out of there.
There's a knife in the bag.
We're gonna get you out of there.
What?
We're gonna get you out of there.
There's a knife in the bag.
We're gonna get you out of there.
You can reach your hand in there and take it out.
We're gonna get you out of there.
You might be able to use it to cut the rope.
That's it.
A little to the left, Jill.
That's it. Can you feel the blade?
Yeah, I got it.
That's it. Can you feel the blade?
MAN: Shit, red light. Stay away from him.
SECOND MAN: No, no, no, he should keep moving.
MAN: Shit, red light. Stay away from him.
No, he's going to see him.
MAN: Shit, red light. Stay away from him.
He's going to see him.
MAN: Shit, red light. Stay away from him.
No, don't worry.
MAN: Shit, red light. Stay away from him.
Listen to me. He won't see you.
MAN: Shit, red light. Stay away from him.
No, he must turn back.
MAN: Shit, red light. Stay away from him.
Just listen to me. He should act normal.
MAN: Shit, red light. Stay away from him.
He should keep moving.
MAN: Shit, red light. Stay away from him.
Nick! Turn back now!
MAN: Shit, red light. Stay away from him.
MAN: I see police cars just east of there.
They keep coming.
MAN: I see police cars just east of there.
[Sirens wailing in distance]
MAN: I see police cars just east of there.
What's he doing? Why's he waiting there?
[Tires screeching]
Shit! He saw me!
[Tires screeching]
[Sirens wailing in distance]
[Tires screeching]
MAN: They saw you, Nick.
I can't divert them this time!
MAN: They saw you, Nick.
NICK: Oh, no, no, no!
MAN: We're losing him, we're losing him!
[Tires screeching]
Fuck.
[Tires screeching]
Fuck.
[Tires screeching]
[Scraping]
JILL: Those sirens... is that you?
Yeah, that's me. Just give me a minute.
[Tires screeching]
What are you doing, Jill?
There might be... a lever.
Lever? What lever?
There might be... a lever.
The seats might be retractable.
There might be... a lever.
What did you say?
Nothing.
What did you say?
Jill... what are you doing?
I might be able to get to him.
Jill... what are you doing?
And do what?
Jill... what are you doing?
I have a knife.
No, no, no. Don't do anything.
I have a knife.
Stay where you are.
I have a knife.
Don't let go of the knife, just stay there.
I have a knife.
The sirens.
I have a knife.
We're behind you.
I have a knife.
We're almost caught up.
I have a knife.
I don't hear the sirens anymore.
He's 3 blocks ahead. Keep going.
I don't hear the sirens anymore.
MAN: He's in front of you.
You'll see him any moment.
MAN: He's in front of you.
Keep going straight.
MAN: He's in front of you.
That car straight ahead?
He's coming in the opposite direction.
That car straight ahead?
MAN: Yes. Didn't I tell you?
That car straight ahead?
Fuck! No!
That car straight ahead?
It's on the map!
That car straight ahead?
I know! Shit! Shit! Shit!
[Tires screeching]
I know! Shit! Shit! Shit!
NICK: Jill, wait... listen.
What?
NICK: Jill, wait... listen.
We're right behind you.
NICK: Jill, wait... listen.
Can you hear the sirens again?
NICK: Jill, wait... listen.
Can you hear them now?
NICK: Jill, wait... listen.
Yes. Then sit tight and wait!
NICK: Jill, wait... listen.
[Tires screeching]
NICK: Jill, wait... listen.
Not in this trunk.
Nevada! It's me, Pierre!
With the Triops, in Paris!
Nevada! It's me, Pierre!
Nevada!
I blocked him!
Nevada!
What?
Nevada!
I blocked him!
Nevada!
Unblock Nevada!
Nevada!
Fuck! Fuck! Fuck! Fuck!
Pierre! Where are you going?
Fuck! Fuck! Fuck! Fuck!
[Sirens wailing]
Fuck! Fuck! Fuck! Fuck!
MAN: Pierre! Pierre!
Fuck! Fuck! Fuck! Fuck!
Pierre! SECOND MAN: Hey, what's going on?
[Tires screeching]
Pierre! SECOND MAN: Hey, what's going on?
Pierre, where are you going?
Pierre! SECOND MAN: Hey, what's going on?
Pierre, stop!
PIERRE: I have to help him! I have to help him!
Pierre, stop!
I have to help Nevada!
Pierre, stop!
MAN: Stop!
Pierre, stop!
[Indistinct] what the fuck is... yeah, listen!
Listen...
[Indistinct] what the fuck is... yeah, listen!
[Sirens wailing]
[Indistinct] what the fuck is... yeah, listen!
Nevada, behind you!
No!
Nevada, behind you!
No, no, no!
Nevada, behind you!
[Tires screeching]
[Sirens wailing]
No, no, no, no!
[Sirens wailing]
[Both grunting]
No!
[Tires screeching]
[Screaming]
[Crash]
[Siren wailing]
[Wailing stops]
[Siren wailing]
[Chirp chirp]
[Computer chiming]
PIERRE: That is the call he made back to us that day.
[Computer chiming]
But I don't understand. Why is he hiding?
[Computer chiming]
But I don't understand. Why is he hiding?
[Computer chiming]
What the fuck? Who is this?
[Computer chiming]
What makes you think you can contact me like this?
[Computer chiming]
Nevada! Are you Nevada?
Yes, I am.
Nevada! Are you Nevada?
I just killed Nevada.
It may've looked simple enough,
but it was actually the hardest part.
It may've looked simple enough,
All the servers are mine now.
It may've looked simple enough,
Now I can make jillgoddardcaught.com
the most popular web site of all time.
Now I can make jillgoddardcaught.com.
This is what I took.
And there's the rest of it.
There will be bigger fires, Jill.
Wait and see.
There will be bigger fires, Jill.
I'm sorry.
[Rock music playing]
Jill...
Jill... can you hear me?
Chord! Where's Jill?
Where she's always been. On the Internet.
JILL ON VIDEO: I'll do anything you say, OK?
Where she's always been. On the Internet.
I'll do anything you say, OK?
CHORD: Please! Stop that music!
I'll do anything you say, OK?
Take out the CD.
I'll do anything you say, OK?
[Music stops]
I'll do anything you say, OK?
Throw it away.
I'll do anything you say, OK?
CHORD: Shitty music.
I'll do anything you say, OK?
[Beeping]
CHORD: Hello. Sorry, what you're seeing
isn't a stolen video.
CHORD: Hello. Sorry, what you're seeing.
This is not a recording.
CHORD: Hello. Sorry, what you're seeing.
The explosives you see behind Jill Goddard
are programmed to detonate in one minute.
The explosives you see behind Jill Goddard
Jill will not survive the blast.
The explosives you see behind Jill Goddard.
The detonator is synchronized.
The explosives you see behind Jill Goddard
with the counter on this web site,
The explosives you see behind Jill Goddard
which you can see right here.
The explosives you see behind Jill Goddard.
If more than half of you who came to this web site.
The explosives you see behind Jill Goddard
looking for a stolen video leave right now, she lives.
The explosives you see behind Jill Goddard.
If you stay, she dies.
The explosives you see behind Jill Goddard.
You have 10 seconds.
The explosives you see behind Jill Goddard.
[Beeping] [Muffled screaming]
CHORD: Yeah.
It's amazing.
You can watch it later.
I'm recording it.
I've been recording everything I've done.
I'm recording it.
This will be the final shot.
Years from now, everybody will see it.
They'll know what I did for you.
Everything I've said was true.
The counter was real.
Everything I've said was true.
Do you want to know how many people left the web site?
How many feared for your life?
Do you want to know how many people left the web site?
I'm sorry.
Not even 10% of the bastards.
There you have it.
That's the world you're leaving behind.
There you have it.
By the way... sorry I had to knock you out.
JILL: Leave behind?
By the way... sorry I had to knock you out.
What do you mean "leave behind"?
By the way... sorry I had to knock you out.
[Clang] [Jill screaming]
What are you doing?
No! Wait!
CHORD: It's OK. Wait a minute.
No! Wait!
Calm down.
No! Wait!
Just wait!
Are you still recording?
Yeah. Do you mind?
No, but...
Yeah. Do you mind?
Only 10%?
Only 10%.
I think I understand now.
There were plenty of other ways to do this, but...
You wanted to open my eyes, is that it?
None of this is new to you.
But I wanted you to see it.
None of this is new to you.
Who are you?
How do you know so much about me?
I've been watching you for a long time.
I know you better than anyone.
I've been watching you for a long time.
And I know what everybody was doing to you.
I've been watching you for a long time.
When people see this, I don't want them
to see me tied up like this.
When people see this, I don't want them
I want them to see me walk out of here
on my own two feet.
I want them to see me walk out of here.
No! No!
Listen to me, please!
Point the gun at me!
Point it at me as I go in!
Point the gun at me!
If you're careful...
people won't see the gun in the video.
They'll think I chose to go in.
People won't see the gun in the video.
I've been tied up for too long.
CHORD: I arranged for the fire to crush the building
in a few minutes.
CHORD: I arranged for the fire to crush the building.
Nobody will find us down there.
CHORD: I arranged for the fire to crush the building.
We'll be safe for a long time.
CHORD: I arranged for the fire to crush the building.
A very long time.
Is the gun down so no one can see it?
Yes.
Is the gun down so no one can see it?
OK, I can start again from over there.
And you stay there.
OK?
OK.
OK?
Actually... come closer so you can see me better.
If you start at my feet...
and slowly move back up to my face...
when they see, when they see how happy I am,
it'll be a surprise.
When they see, when they see how happy I am,
Aah!
CHORD: Ow! Uhh.
Aah!
[Whimpering]
NEVADA: What a bunch of crap, Chord.
CHORD: What? Who are you?
You know who I am.
CHORD: What? Who are you?
[Jill whimpering]
CHORD: Nevada?
Yes, I am.
It's pathetic enough that you went to
all this trouble to meet a movie star.
It's pathetic enough that you went to.
Now I can't let you screw things up like this.
It's pathetic enough that you went to.
Don't even think about hanging up.
I'm trying to help you out.
Don't even think about hanging up.
What? I don't care if they catch you,
but I can't let them confiscate my servers, you idiot.
What? I don't care if they catch you,
It makes me sick. But...
What? I don't care if they catch you,
But right now, I have to save your ass.
What? I don't care if they catch you,
The kid saw your face.
What? I don't care if they catch you,
You mean Nick? Nick's dead.
What? I don't care if they catch you,
Nick's alive, you fool.
What? I don't care if they catch you,
CHORD: Nick... but... but...
Move, you dumbshit!
CHORD: Nick... but... but...
Go after him and shoot him for good.
CHORD: Nick... but... but...
Hurry! Shit!
CHORD: Nick... but... but...
NEVADA: I have a lock on the police position.
I'll let you know when they're close.
NEVADA: I have a lock on the police position.
CHORD: Then... you're alive.
Of course I'm alive.
CHORD: Then... you're alive.
You botched the job.
CHORD: Then... you're alive.
You can't even shoot someone in the back.
CHORD: Then... you're alive.
But... I was coming from an operation.
CHORD: Then... you're alive.
I was wearing a bulletproof vest, genius.
CHORD: Then... you're alive.
The saddest part is if you'd.
CHORD: Then... you're alive.
Looked closely at your recordings,
CHORD: Then... you're alive.
You would've realized.
CHORD: Then... you're alive.
Go ahead. Take a look.
CHORD: Then... you're alive.
Don't worry. He isn't going anywhere.
Look for the moment right after you shot me.
Look at me. Look closely.
You heard me.
I didn't know who the fuck you were.
You heard me.
But yes, I heard you say something out loud.
You heard me.
"Now, I can make jillgoddardcaught.com."
You heard me.
"The most popular web site of all time."
You heard me.
And that was my only clue.
You heard me.
As soon as I recovered, I checked out
that web site and its owner.
As soon as I recovered, I checked out
Nick Chambers.
As soon as I recovered, I checked out.
But e was just some poor kid.
As soon as I recovered, I checked out
jerking off with a normal laptop.
As soon as I recovered, I checked out.
So, in order to find you,
As soon as I recovered, I checked out
I did what I've done many times before.
As soon as I recovered, I checked out.
Play a role.
As soon as I recovered, I checked out.
Change my face.
As soon as I recovered, I checked out
I became Nick Chambers.
As soon as I recovered, I checked out.
Son of a bitch.
What? Don't shoot him!
Son of a bitch.
What's wrong?
Son of a bitch.
Don't you get the real reason.
Son of a bitch.
I have you leave the warehouse?
Son of a bitch.
You really don't see it.
Son of a bitch.
See what?
Son of a bitch.
That kid you're looking at doesn't know a thing.
Son of a bitch.
He's been asleep all day. What?
Son of a bitch.
Since I nabbed him at a gas station.
Son of a bitch.
On his way from L.A.
Son of a bitch.
Wait a second!
Son of a bitch.
He's been in the trunk the whole time.
What the fuck is this?
He's been in the trunk the whole time.
He's not the one you've been playing with all night.
He's been in the trunk the whole time.
I am.
He's been in the trunk the whole time.
What? Look at your screen.
He's been in the trunk the whole time.
But...
Hi, Chord.
But...
Oh. Well.
It seems you're not the only one.
Oh. Well.
Driving around with someone in the trunk.
Oh. Well.
How can it be?
Oh. Well.
This is the real Nick Chambers.
Don't worry, he's OK.
This is the real Nick Chambers.
I stole his identity and his computer.
This is the real Nick Chambers.
So I could find out who you were.
This is the real Nick Chambers.
And find a way to hunt you down.
This is the real Nick Chambers.
And now what you're watching here is time-delayed.
I got the idea to use.
And now what you're watching here is time-delayed.
Video with time delay from you.
And now what you're watching here is time-delayed.
By the time you see this,
And now what you're watching here is time-delayed.
I might already be saving her.
And now what you're watching here is time-delayed.
This recording was the only way.
And now what you're watching here is time-delayed.
I could thank you.
And now what you're watching here is time-delayed.
Thank you, Chord.
By the way... this CD is mine.
The band is called Suicide and they are awesome.
By the way... this CD is mine.
[Sirens wailing in distance]
[Glass shatters]
[Explosion]
[Glass shatters]
Fuck!
[Glass shatters]
JILL: Over here!
Yes!
JILL: Over here!
Fuck! Fuck, Fuck!
Jesus Christ!
[Rattling]
[Clanking]
Please, open the door.
Jill. Please, you've got to believe me.
Please, open the door.
Jill. You... you... you need me!
Please, open the door.
[Clattering] Aah!
Please, open the door.
It's over.
My God.
All of my favorite movies, music, books...
Wow.
My equipment.
Don't worry.
I can get us out of here.
Don't worry.
Not right now, of course, but.
Don't worry.
We can wait for them to...
Don't worry.
You want one?
REPORTER: At this point, the producers of "Dark Sky: The Third Wave,"
the actress' latest premiere,
REPORTER: At this point, the producers of "Dark Sky: The Third Wave,"
have announced they will make an official statement.
REPORTER: At this point, the producers of "Dark Sky: The Third Wave,"
in the next few hours.
REPORTER: At this point, the producers of "Dark Sky: The Third Wave,"
I owe you an apology.
REPORTER: At this point, the producers of "Dark Sky: The Third Wave,"
I've been tracking that madman all this time
and I had no idea of what he was really up to.
I've been tracking that madman all this time
I didn't know you were in danger,
that he was going to hurt you.
I didn't know you were in danger,
By the time I realized, I didn't
have enough time to react.
By the time I realized, I didn't
I think I could have prevented it.
I could have prevented everything that he...
everything he...
Oops. Sorry.
JILL: Who the fuck are you?
What?
JILL: Who the fuck are you?
I'm... nobody.
What are you going to do after all of this?
Disappear.
Actually, I'd very much appreciate it.
Disappear.
If you didn't mention me.
Disappear.
What's in it for me?
What?
What's in it for me?
What do I get out of it if
I don't tell anyone about you?
What do I get out of it if.
REPORTER: While the Internet is recovering from the attack,
tickets for "Dark Sky: The Third Wave," the film,
REPORTER: While the Internet is recovering from the attack,
are being sold at a record-setting pace.
REPORTER: While the Internet is recovering from the attack,
RICHIE: It's a tragedy, a real tragedy.
But now, I think the best way to honor her is to enjoy her work.
RICHIE: It's a tragedy, a real tragedy.
DAVE: She was in the prime of her life, of her career.
She loved this movie.
DAVE: She was in the prime of her life, of her career.
She was so enthusiastic about her work.
DAVE: She was in the prime of her life, of her career.
I can't believe it.
DAVE: She was in the prime of her life, of her career.
JILL: I'd like to as well.
NICK: You'd like to what?
Disappear.
Sure. For how long?
Long enough.